IDNO

LS.109014.TC1

Description

On Catalogue Card: "N. Australia.
Front view of head and bust of man.
Curly hair.
Long bone in nose.
Cheloids [sic keloids] and ?moxa on chest and arms."

On Catalogue Card for duplicate print P.480.ACH1: "Man wearing nose-stick, arm-bands and showing cicatrices."

Half-length portrait of a man from northern Australia wearing a nose stick and a full moustache. His wavy hair is half long. Cicatrisation is present in horizontal lines on his abdomen and in vertical lines on his upper arms. There are also dots of cicatrisation on his chest and upper arms. The man is wearing several fibre armbands on his left arm and two armbands on his right arm. The background is a white studio background. [WV 24/4/2009]

The man is Tiwi, based on his meeinga (scarification) and armband. He is wearing an arm band, probably Iwadga from the Cobourg Peninsula; the Iwadga brought a lot of customs from the mainland to Tiwi, including meeinga. The vertical marks on the upper arm are typical Tiwi meeinga. The nose bone is not typical Tiwi, and is more likely to be a mainland influence. Declan Apuatimi is a well-known and documented Tiwi artist and he had a nose hole for a bone; the practice came from mainland
Malluk Malluk people and the Larrakia people intermarried with the Tiwi people. [Information from Bede Tungutalum, Tiwi artist, and Diana Wood Conroy, University of Wollongong, JD 10/30/2015]

Portrait of a an Aboriginal man, probably from the Darwin region. [Knowledge shared by Michael Aird, Director, University of Queensland Anthropology Museum, KK 14/12/2022]

Place

Oceania Australasia; Australia; ?New South Wales; ?Sydney; ?Northern Territory; ?Darwin

Cultural Affliation

Tiwi

Named Person

Photographer

?King, Henry [Photograph Studio, Sydney]

Collector / Expedition

Date

Collection Name

Teaching Slide CollectionHaddon Unmounted Collection

Source

Format

Lantern Slide Black & White

Primary Documentation

Other Information

Photographer: Henry King
"KING, HENRY (1855?-1923), photographer, was born at Swanage, Dorset, England, son of William Isaac King, stonemason, and his wife Eliza, née Toms. He came to New South Wales with his family about 1857 and as a lad worked with the Sydney photographer J. Hubert Newman. On 27 November 1878 he married Elizabeth Laing in Sydney with Congregational forms. In 1880 King established a photographic studio at 316 George Street in partnership with William Slade and by 1884 was sole proprietor. For the rest of his life he worked from studios in George Street, although much of his reputation was derived from work done outside.
King travelled widely through eastern Australia photographing Aboriginals. His portraits, mostly half length and identically posed, were often taken against a painted studio backdrop of the bush. At the World Columbian Exposition at Chicago in 1893 he was awarded a certificate and a bronze medal for the size, technique and artistic finish of his Aboriginal portraits. As his career progressed, and with the invention of dry-plate techniques, King turned more to landscape photography, producing as well as popular scenic views a series of Sydney street scenes, now valued for their historic as well as their artistic interest.
During the first decade of the twentieth century King carried out photographic work for the National Art Gallery of New South Wales and for several art societies. He counted many artists among his friends. His photograph of the 1907 selection committee of the Society of Artists, Sydney, featuring Julian Ashton, Will Dyson, Norman Lindsay, Sydney Long, D. H. Souter, Rose Soady (Lindsay) and Harry Weston, has often been reproduced.
In 1901 the Australasian Photographic Review described King as 'one of the oldest and … most successful photographers in New South Wales' and three years later illustrated an entire issue with his work: 'Mr King is a photographer of the old and new schools combined, and stands high in the esteem of the craft, and by amateurs he is regarded as a true and valued friend'. His name, it concluded, had become 'a household word'.
Bearded and bespectacled, King was a self-effacing man. He died aged 68 in Waverley War Memorial Hospital on 22 May 1923 following abdominal surgery and was buried on 24 May in the Congregational section of Waverley cemetery. He was survived by his son and three daughters. After his death King's studio collection of glass negatives was purchased by J. R. Tyrrell and eventually by Consolidated Press Holdings. In 1975 an exhibition of his Aboriginal portraits was held at the Australian Centre for Photography. Factual and uncluttered by artistic effect, they were appreciated for their ethnological significance and the dignity of his subjects.
Richard King, 'King, Henry (1855? - 1923)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp 595-596." [WV 24/4/2009]

Photographer: The photographer field is attributed to Henry King, but he was unlikely to have made the photograph as the man was probably from Darwin and photographed there. [Knowledge shared by Michael Aird, Director, University of Queensland Anthropology Museum, KK 14/12/2022]

This catalogue record has been updated with the support of the Aboriginal Visual Histories Project, Monash University. [Wonu Veys 24/4/2009]