IDNO

DG.102047.PAO

Description

Four young women wearing sepiya (round cloth caps with red, black and white stripes and back flaps), stagi (elliptical bead necklaces), blouses and patterned sarongs stand in a row, smiling for the camera, with five uniformed visitors from the British Navy standing behind them. The men wear naval caps with “H.M.S. THANKERTON” and “H.M.S. TERROR” on their tallies.
In the background can be seen a thatched attap roof, probably that of the longhouse, and at least one man.

Place

SE Asia Borneo; Malaysia; Sarawak; Penrissen; Kampung Benuk [Kampung Segu Bunuk]

Cultural Affliation

Bidayuh [historically Land Dayak]

Named Person

Suku; Moye; Mijo; Bukak

Photographer

None

Collector / Expedition

Paka anak Otor

Date

circa 1966

Collection Name

Paka anak Otor Collection

Source

Paka anak OtorChua, Liana

Format

Print Black & White

Primary Documentation

Other Information

Source: A selection of 185 prints from Paka anak Otor’s larger collection of approximately 500 prints was made by Liana Chua during fieldwork in Kampung Benuk, Sarawak, Malaysia, in 2005. The purchase of non-exclusive reproduction rights [RM 1845, £250] by the Museum to the family of Paka anak Otor [82 Kampung Benuk, Jalan Puncak Borneo, Kuching 93250, Sarawak, Malaysia], and digital copy photographs of the collection [RM 869, £125] were paid for by the Museum Acquisition Fund [£250] and part of a Crowther-Beynon grant [£125] for the collecting of Sarawak objects. The digital scans were made by Fung Huang Colour Photo Centre [153 Padungan Road, Kuching, Sarawak] in 2005. [Liana Chua 2/8/2007]

Context: Kampung Benuk has been a small-scale tourist attraction since the 1960s, being particularly famous for its longhouse. Its first visitors were often members of the British, Australian and American armed forces stationed nearby during the Confrontation years between Indonesia and Malaysia (1963-1966); later visitors included civilian tourists, foreign dignitaries, UNESCO representatives, film crews, and government officials. The women in this photograph were probably performing adat gawai (pre-Christian rituals)-based dances for the visitors’ entertainment, hence the use of the ritual hats and necklaces.
Benuk’s visitor numbers appear to have peaked around the 1970s and 1980s, especially with increasing domestic and Asian tourism and the state government’s tourist promotion efforts. Today it remains a fairly popular attraction despite its much diminished longhouse. [Liana Chua 10/9/2007]

This catalogue record has been updated with the support of the Getty Grant Program Two. [Liana Chua 10/9/2007]