IDNO

DG.102045.PAO

Description

Two male ?European visitors, possibly from the British Navy, sit in the awah (covered verandah) at Kampung Benuk’s longhouse, possibly clapping along to some music. They are surrounded by a large group of villagers, including Sumuk Nuong (wife of Otor anak Sunjam) sitting on the left, and Sikas, the man sitting against a pillar on the right.
Behind them are four villagers who are probably dancing to the music, including Saim, the girl wearing a patterned blouse and sarong in the middle.
On the left can be seen the wooden walls of the individual apartments, against which woven rattan baskets have been hung. The entire scene is lit by a ?gas lamp hanging from the ceiling.

Place

SE Asia Borneo; Malaysia; Sarawak; Penrissen; Kampung Benuk [Kampung Segu Bunuk]

Cultural Affliation

Bidayuh [historically Land Dayak]

Named Person

Sumuk Nuong (Sajon); Saim; Sikas

Photographer

None

Collector / Expedition

Paka anak Otor

Date

circa 1966

Collection Name

Paka anak Otor Collection

Source

Paka anak OtorChua, Liana

Format

Print Black & White

Primary Documentation

Other Information

Source: A selection of 185 prints from Paka anak Otor’s larger collection of approximately 500 prints was made by Liana Chua during fieldwork in Kampung Benuk, Sarawak, Malaysia, in 2005. The purchase of non-exclusive reproduction rights [RM 1845, £250] by the Museum to the family of Paka anak Otor [82 Kampung Benuk, Jalan Puncak Borneo, Kuching 93250, Sarawak, Malaysia], and digital copy photographs of the collection [RM 869, £125] were paid for by the Museum Acquisition Fund [£250] and part of a Crowther-Beynon grant [£125] for the collecting of Sarawak objects. The digital scans were made by Fung Huang Colour Photo Centre [153 Padungan Road, Kuching, Sarawak] in 2005. [Liana Chua 2/8/2007]

Context: Kampung Benuk has been a small-scale tourist attraction since the 1960s, being particularly famous for its longhouse. Its first visitors were often members of the British, Australian and American armed forces stationed nearby during the Confrontation years between Indonesia and Malaysia (1963-1966); later visitors included civilian tourists, foreign dignitaries, UNESCO representatives, film crews, and government officials. It was common for such visitors to take part in large village-wide feasts and ceremonies, which often involved music and dancing.
Benuk’s visitor numbers appear to have peaked around the 1970s and 1980s, especially with increasing domestic and Asian tourism and the state government’s tourist promotion efforts. Today it remains a fairly popular attraction despite its much diminished longhouse. [Liana Chua 10/9/2007]

This catalogue record has been updated with the support of the Getty Grant Program Two. [Liana Chua 10/9/2007]