IDNO

DG.102018.PAO

Description

Paka anak Otor, wearing a circular bead necklace, headscarf and green tua gawai (ritual head) vest, performs the brejang bouh (eagle dance) with Babai Punjo (back to the camera) in his mini-museum, for watching tourists.
In the background is the ?bamboo wall of the mini-museum with a framed photograph, possibly of a Malaysian dignitary, and a gong mounted on it. A large barred window has been cut into the wall. Behind Paka is a table with ceramic dishes on it and an earthenware jar.

Place

SE Asia Borneo; Malaysia; Sarawak; Penrissen; Kampung Benuk [Kampung Segu Bunuk]

Cultural Affliation

Bidayuh [historically Land Dayak]

Named Person

Paka anak Otor; Babai Punjo

Photographer

None

Collector / Expedition

Paka anak Otor

Date

24 July 1977

Collection Name

Paka anak Otor Collection

Source

Paka anak OtorChua, Liana

Format

Print Black & White

Primary Documentation

Other Information

Source: A selection of 185 prints from Paka anak Otor’s larger collection of approximately 500 prints was made by Liana Chua during fieldwork in Kampung Benuk, Sarawak, Malaysia, in 2005. The purchase of non-exclusive reproduction rights [RM 1845, £250] by the Museum to the family of Paka anak Otor [82 Kampung Benuk, Jalan Puncak Borneo, Kuching 93250, Sarawak, Malaysia], and digital copy photographs of the collection [RM 869, £125] were paid for by the Museum Acquisition Fund [£250] and part of a Crowther-Beynon grant [£125] for the collecting of Sarawak objects. The digital scans were made by Fung Huang Colour Photo Centre [153 Padungan Road, Kuching, Sarawak] in 2005. [Liana Chua 2/8/2007]

Date: P.102018 to P.102020 are part of a larger scrapbook collection dated “24.7.77”. [Liana Chua 30/8/2007]

Biographical and Contextual Information: Paka anak Otor (1927-2004), was a former tua gawai (ritual chief) and owner of Paka’s Mini-Muzium in Kampung Benuk, a Bidayuh village in Penrissen, Sarawak, Malaysian Borneo. The mini-museum began as Paka’s small personal collection of family heirlooms (including gongs and Chinese trade porcelain) and other objects which he “liked to look at”. During the ‘Confrontation’ years between Malaysia and Indonesia (1963-1966) Kampung Benuk became a popular recreational destination for British, Australian and American servicemen stationed nearby at the Malaysian-Indonesian border. Paka’s household - then run by his charismatic tua gawai father Otor anak Sunjam (d. 1978) - was one of their main ports of call, and often the recipient of their gifts and souvenirs, including military plaques, film reels, cameras and sweets. These items were incorporated into Paka’s collection, which also came to include locally made artefacts such as baskets, tools and water carriers, and various natural objects like snakeskins, branches and stones. From the 1970s, Kampung Benuk became a popular tourist destination famous for its longhouse. Paka’s family remained central to this nascent industry, playing host to civilian tourists, visiting dignitaries and officials. As Paka’s collection grew, visitors began calling it a ‘mini-museum’; the name has since stuck. Paka passed away in 2004, but his widow and family continue to run the mini-museum, which is visited mainly by tourists. For more information on Paka’s mini-museum, see Chua, Liana. 2006. Antiques and Adat: the changing face of Paka’s mini-museum, Kampung Benuk, Penrissen, Kuching. Institute of East Asian Studies Working Paper No. 11. Kota Samarahan: Universiti Malaysia Sarawak. [Liana Chua 2/8/2007]

This catalogue record has been updated with the support of the Getty Grant Program Two. [Liana Chua 30/8/2007]