IDNO

DG.101958.PAO

Description

Three young women dressed in adat gawai (pre-Christian rituals) clothing - (from left to right), Suko, Serayang and Minuau - stand in a row on the tanju (open gallery) of the longhouse at Kampung Benuk, possibly posing after a performance for visitors. They wear sepiya (round cloth caps with red, black and white stripes and a back flap), stagi (elliptical bead necklaces), red sashes, patterned blouses and Iban bidang (warp-ikat skirts). They each carry a trabang (miniature leaf-shaped shield for use in the jekau dance) and a thin wooden clapper.
The tanju is made of bamboo slats laid crossways over a raised wooden platform. Lines of washing are hung up behind the women; pieces of clothing are also laid out to dry on the slats nearby. In the background is thick jungle foliage.

Place

SE Asia Borneo; Malaysia; Sarawak; Penrissen; Kampung Benuk [Kampung Segu Bunuk]

Cultural Affliation

Bidayuh [historically Land Dayak]

Named Person

Suko; Serayang; Minuau

Photographer

?Paka anak Otor

Collector / Expedition

Paka anak Otor

Date

circa 1960 - 1970

Collection Name

Paka anak Otor Collection

Source

Paka anak OtorChua, Liana

Format

Print Black & White

Primary Documentation

Other Information

Source: A selection of 185 prints from Paka anak Otor’s larger collection of approximately 500 prints was made by Liana Chua during fieldwork in Kampung Benuk, Sarawak, Malaysia, in 2005. The purchase of non-exclusive reproduction rights [RM 1845, £250] by the Museum to the family of Paka anak Otor [82 Kampung Benuk, Jalan Puncak Borneo, Kuching 93250, Sarawak, Malaysia], and digital copy photographs of the collection [RM 869, £125] were paid for by the Museum Acquisition Fund [£250] and part of a Crowther-Beynon grant [£125] for the collecting of Sarawak objects. The digital scans were made by Fung Huang Colour Photo Centre [153 Padungan Road, Kuching, Sarawak] in 2005. [Liana Chua 2/8/2007]

Contextual information: From the 1960s, Kampung Benuk became a popular tourist destination famous for its longhouse. Paka’s family were central to this nascent industry, playing host to armed forces, civilian tourists, visiting dignitaries and officials. They commonly performed dances for these visitors which were based on adat gawai (pre-Christian rituals) ceremonies. [Liana Chua 28/8/2007]

This catalogue record has been updated with the support of the Getty Grant Program Two. [Liana Chua 28/8/2007]