IDNO

DG.101880.PAO

Description

Portrait of Otor anak Sunjam standing inside a wooden slat room, probably his son Paka’s mini-museum, surrounded by exhibits. He wears some of his tua gawai (ritual chief) outfit, consisting of a vest with a fabric star woven over each breast worn over a short-sleeved tee-shirt, a patterned headscarf, and a stagan (leopard teeth necklace worn by men).
Immediately behind Otor are two wooden longhouse models, which Paka constructed for display in the mini-museum. Hanging from the wall behind them are various locally-made objects, including a bubut (small vertical weave rattan basket) and bamboo container.
In the foreground is a low wooden slat wall, in front of which is a large ?malformed tree trunk with various protrusions and gaps.

Place

SE Asia Borneo; Malaysia; Sarawak; Penrissen; Kampung Benuk [Kampung Segu Bunuk]

Cultural Affliation

Bidayuh [historically Land Dayak]

Named Person

Otor anak Sunjam

Photographer

?Paka anak Otor

Collector / Expedition

Paka anak Otor

Date

circa 1960 - 1978

Collection Name

Paka anak Otor Collection

Source

Paka anak OtorChua, Liana

Format

Print Black & White

Primary Documentation

Other Information

Source: A selection of 185 prints from Paka anak Otor’s larger collection of approximately 500 prints was made by Liana Chua during fieldwork in Kampung Benuk, Sarawak, Malaysia, in 2005. The purchase of non-exclusive reproduction rights [RM 1845, £250] by the Museum to the family of Paka anak Otor [82 Kampung Benuk, Jalan Puncak Borneo, Kuching 93250, Sarawak, Malaysia], and digital copy photographs of the collection [RM 869, £125] were paid for by the Museum Acquisition Fund [£250] and part of a Crowther-Beynon grant [£125] for the collecting of Sarawak objects. The digital scans were made by Fung Huang Colour Photo Centre [153 Padungan Road, Kuching, Sarawak] in 2005. [Liana Chua 2/8/2007]

Contextual Information: Paka anak Otor (1927-2004), was a former tua gawai (ritual chief) and owner of Paka’s Mini-Muzium in Kampung Benuk, a Bidayuh village in Penrissen, Sarawak, Malaysian Borneo. The mini-museum began as Paka’s small personal collection of family heirlooms (including gongs and Chinese trade porcelain) and other objects which he “liked to look at”. During the ‘Confrontation’ years between Malaysia and Indonesia (1963-1966) Kampung Benuk became a popular recreational destination for British, Australian and American servicemen stationed nearby at the Malaysian-Indonesian border. Paka’s household - then run by his charismatic tua gawai father Otor anak Sunjam (d. 1978) - was one of their main ports of call, and often the recipient of their gifts and souvenirs, including military plaques, film reels, cameras and sweets. These items were incorporated into Paka’s collection, which also came to include locally made artefacts such as baskets, tools and water carriers, and various natural objects like snakeskins, branches and stones. From the 1970s, Kampung Benuk became a popular tourist destination famous for its longhouse. Paka’s family remained central to this nascent industry, playing host to civilian tourists, visiting dignitaries and officials. As Paka’s collection grew, visitors began calling it a ‘mini-museum’; the name has since stuck. Paka passed away in 2004, but his widow and family continue to run the mini-museum, which is visited mainly by tourists. For more information on Paka’s mini-museum, see Chua, Liana. 2006. Antiques and Adat: the changing face of Paka’s mini-museum, Kampung Benuk, Penrissen, Kuching. Institute of East Asian Studies Working Paper No. 11. Kota Samarahan: Universiti Malaysia Sarawak. [Liana Chua 2/8/2007]

Biographical Information: Otor anak Sunjam (d. 1978) was the father of Paka anak Otor, who owned the mini-museum in Kampung Benuk. He was also the village’s tua gawai (ritual chief), and often played host to visitors from the British, Australian and American navies, dignitaries, tourists and government officials. [Liana Chua 2/8/2007]

This catalogue record has been updated with the support of the Getty Grant Program Two. [Liana Chua 2/8/2007]