IDNO

LS.82705.GIJ

Description

Group of young adult males participating in the masquerade performed by Isiji (junior age-grade members), dancing in a single file in a circle. The Isiji are wearing wearing a masks, wrist-ornaments and palm leaf over-garments. Adult males are standing around the masqueraders, watching the masquerade, wearing shorts, cloths and shirts. A man in foreground is wearing two hats.

Place

W Africa; Nigeria; Southeastern Nigeria

Cultural Affliation

Igbo[Ibo]; Nkporo

Named Person

Photographer

Jones, Gwilliam Iwan (known as G.I.)

Collector / Expedition

Date

circa 1930 - 1939

Collection Name

Jones Collection

Source

Jones, Gwilliam Iwan (known as G.I.)

Format

Lantern Slide Black & White

Primary Documentation

Other Information

LS.82686.GIJ to LS.82705.GIJ were found inside box formerly numbered 45, now re-numbered C412/.These slides may have been produced from the prints in the collection. The list describing the lantern slides found inside box C412/ has been archived with the rest of the Jones collection, which is stored in Bay N/ Shelf 3/ Box 1. On paper found inside box C412/ the description relating to slide 19 mentions:
"[?hutiands]" [manuscript in ink]

Publication: A reproduction of this image was displayed in Collected Sights in the section G.I. Jones’ Photographs of Nigerian Masquerades with the descriptive label:
"Isiji (junior grade) boys of the Nkporo tribe performing an initiation masquerade. All characters wear similar masks that were tall conical head-dresses made of fresh thaumatococcus leaves and raffia sacking, placed on a stick frame that ended in a calabash which fitted over the face."

Publication: This image has been reproduced as a postcard by the University of Cambridge Museum of Archaeology and Anthropology, captioned as follows:
"Nigerian Art
Ibo Masquerades
No. 3: Cross River Ibo. Nkporo Tribe. ‘Isiji’ Masquerade." [JD 11/6/2010]

Context: In the Ada Ibo area there were specific styles of masks which were used in initiation masquerades. The style resembled the Lower Niger but the particular forms used were their own, and in the case of the abstract ones, unique. The masquerades were performed by the initiates at the close of their period of seclusion before their return to the community. The junior grade called Isiji appeared in a masquerade in which all the characters wore similar masks, each consisting of a very tall conical head-dress made of fresh Thaumatococcus leaves and raffia sacking on a stick frame and ending in a calabash which fitted over the wearer’s face." [Jones 1984. pp.209-210]

He remarks further, In Ngusu, the senior Ada town, the junior grade was divided into subgrades of small boys (Umuerima), Isiji and Isiugo. The first two had their Egede and Isiji masquerades, which they were entitled to perform after they had passed their initiation. In these they all wore the same type of mask made out of a calabash, which in Isiji was given a tall superstructure of leaves and raffia.[Jones, 1989, p.64-65] In a plate which shows the Isiji masquerade Jones describes the belief of magical powers, "Initiates all have similar masks of coloured strips of raffia stretched over a cane frame and attached to a calabash face mask. They are draped in young palm fronds which are thought to carry magical powers." (Jones, p.63)

Bibliographical References:
Jones, G.I., 1984. The Art of Eastern Nigeria (Cambridge University Press); Jones, G.I. 1989. Ibo Art, (Shire).
Guha, S., Herle, A., and Boast,R. 200? Collected Sights. (Cambridge)

This catalogue record has been updated with the support of the Getty Grant Program Two. [Alicia Fentiman 22/1/2008]