IDNO

P.71773.GIJ

Description

A Lughulu male mask. The mask is round and consists of a high forehead, with etched area at the top to denote the hairline, slit eyes surrounded by arched markings above and below, a pointed nose, and open mouth with carved white pointed teeth. There are two round markings on the temples, elliptical shaped ears and two protruding areas on either side of the nose probably indicating scarification marks.

Place

W Africa; Nigeria; South Eastern Nigeria; Cross River; Northern Bende division

Cultural Affliation

Item

Named Person

Photographer

Jones, Gwilliam Iwan (known as G.I.)

Collector / Expedition

Date

circa 1930 - 1939

Collection Name

Jones collection

Source

Jones, Gwilliam Iwan (known as G.I.)

Format

Print Black & White

Primary Documentation

Other Information

P.71728.GIJ to P.71831.GIJ were kept in box 14, now numbered C300/.
P.71750.GIJ to P.71787.GIJ were found wrapped in paper, now numbered C300/2/.

Context: ...the Item and Alayi tribes had their own particular masquerades called Lughulu. The characters wore masks, not heads, and these were of two kinds: beautiful, which were female, sometimes white-faced, sometimes stained a reddish brown colour with cam wood: and ugly, which were either white-faced or stained black, and were considered comic rather than fierce. These masks were sometimes full-sized but often, like some Ogoni masks, were small and designed to cover only the upper portion of the actor’s face, leaving his mouth and jaw exposed (Jones, 1984, p.206)

Context: Cole and Aniakor write, “In Item and Ugweke, for example, a series of fine masks are danced in a ‘play’ called Lughulu that includes the familiar opposition of pretty females and ugly males but almost nothing is known about the cult.” (Cole and Aniakor, 1989, p. 166).

Bibliographical Reference:
Jones, G.I., 1984. The Art of Eastern Nigeria (Cambridge University Press)
Cole, H. & C. Aniakor, 1984. Igbo Arts: Community and Cosmos (Museum of Cultural History, University of California)

This catalogue record has been updated with the support of the Getty Grant Program Two. [Alicia Fentiman 21/11/2007]