IDNO
P.71767.GIJ
Description
An Item comic male mask. The mask is oval shaped with large holes for eyes carved in an almond shape design, accentuated by rounded incised eyebrows, square-ish nose, protruding ears and an open mouth. There are markings on the swollent cheeks. Holes for attaching the mask are visible on the forehead and ears.
Place
W Africa; Nigeria; South Eastern Nigeria; Cross River; Northern Bende division
Cultural Affliation
Item
Named Person
Photographer
Jones, Gwilliam Iwan (known as G.I.)
Collector / Expedition
Date
circa 1930 - 1939
Collection Name
Jones collection
Source
Jones, Gwilliam Iwan (known as G.I.)
Format
Print Black & White
Primary Documentation
Other Information
P.71728.GIJ to P.71831.GIJ were kept in box 14, now numbered C300/.
P.71750.GIJ to P.71787.GIJ were found wrapped in paper, now numbered C300/2/.
Context: ...the Item and Alayi tribes had their own particular masquerades called Lughulu. The characters wore masks, not heads, and these were of two kinds: beautiful, which were female, sometimes white-faced, sometimes stained a reddish brown colour with cam wood: and ugly, which were either white-faced or stained black, and were considered comic rather than fierce. These masks were sometimes full-sized but often, like some Ogoni masks, were small and designed to cover only the upper portion of the actor’s face, leaving his mouth and jaw exposed (Jones, 1984, p.206)
Context: Cole and Aniakor write, “In Item and Ugweke, for example, a series of fine masks are danced in a ‘play’ called Lughulu that includes the familiar opposition of pretty females and ugly males but almost nothing is known about the cult.” (Cole and Aniakor, 1989, p. 166).
Bibliographical Reference:
Jones, G.I., 1984. The Art of Eastern Nigeria (Cambridge University Press)
Cole, H. & C. Aniakor, 1984. Igbo Arts: Community and Cosmos (Museum of Cultural History, University of California)
This catalogue record has been updated with the support of the Getty Grant Program Two. [Alicia Fentiman 21/11/2007]
FM:206417
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