IDNO

P.71747.GIJ

Description

A dark wooden face mask oval in shape with a fluted protrusion. The mask is humanistic in form and consists of a rounded head with a high forehead, arched eyebrows painted white, slit eyes encirled in white, long nose and slightly pouting mouth at the bottom of the face. There are white dots or markings indicating scarification marks on either side of the eyes and small ears. Along the centre of the forehead is a line of white dots and a white circle at the top from which a linear fanlike protrusion emanates. It is painted with white lines and culminates into an elongated headdress. The top is painted white.

Place

W Africa; Nigeria; South Eastern Nigeria; Cross River; ?Northern Bende division; Ngusu Ada

Cultural Affliation

Igbo [historically Ibo]; Ada

Named Person

Photographer

Jones, Gwilliam Iwan (known as G.I.)

Collector / Expedition

Date

circa 1930 - 1939

Collection Name

Jones collection

Source

Jones, Gwilliam Iwan (known as G.I.)

Format

Print Black & White

Primary Documentation

Other Information

P.71728.GIJ to P.71831.GIJ were kept in box 14, now numbered C300/.
P.71728.GIJ to P.71748.GIJ were found wrapped in paper, now numbered C300/1/.

Publication: Same image published on John McCall’s G.I. Jones website with the following information: [Source: www.siu.edu/~anthro/mccall/jones/, AF ]
1. Index to various Igbo groups: Ngusu Ada, Isu Ikwu Ato, Alayi, Item
2. Ngusu Ada Igbo
3. Ngusu Ada mask (3rd image).

Context: The masks, sculpture, and culture of this area are described in detail by Ottenberg. He writes that, “ the Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp.51-56), which includes the Okpoha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, Nkporo and Akaeze, both short distances away. The Ada have many common features in their history and culture. They have past associations with the famous slave-trading Igbo of Aro Chuku, se features differentiate them from other Igbo and from the Cross River groups” (Ottenberg, 1975, p.3) In relation to masquerades, he writes that, “Each village also has a secret society, although it is not really very secret, for it lacks an exclusive character. All males are expected to join it by the time that they are adults, and many become members as children. It thus excludes females and unitiatied boys. The secrecy involves much of the initiation rites, certain titles taken within it, and some other events. The masquerades, which form one of its principal activities, are generally held in public, although there are secrets associated with them.

Context: Afikpo Art and masks are well documented by Ottenberg. He notes that the Afikpo use the same word ihu for mask and for face. Wooden masks are the major sculptural form of the Afikpo. “Putting on a mask turns a person into a sprit or mma. Ottenberg has identified twelve types of wooden mask types at Afikpo. “Each one of the mask has forms of the adult society has its own stylistic features easily

Bibliographical Reference:
Jones, G.I. 1939. “On the Identity of Two Masks from S.R. Nigeria in the British Museum”, Man, Vol. 39, pp. 33-34.
Jones, G.I., 1984. The Art of Eastern Nigeria (Cambridge University Press)
Ottenberg, S. 1975. Masked Rituals of Afikpo. (University of Washington Press)

This catalogue record has been updated with the support of the Getty Grant Program Two. [Alicia Fentiman 4/12/2007]