Accession No
2020.21
Description
Woven 'praise' pir or palm leaf mat by Raffaela Takane, Monika Takane, Efa Tontinyap and Balbina Bam, used in the jimi pir feast, decorated with animals that live in the water including a prawn, crab and fish
Place
Oceania; Melanesia; New Guinea; West Papua
Period
21st century
Source
Powell Davies, Tom [collector]; Crowther-Beynon Grant [monetary donor]
Department
Anth
Reference Numbers
2020.21; MAA: MN0184.7
Cultural Affliation
Asmat
Material
plant; sago palm; pigment; lime (burnt shell); clay
Local Term
pir
Measurements
600mm x 755mm
Events
Description (Physical description)
Woven 'praise' pir or palm leaf mat by Raffaela Takane, Monika Takane, Efa Tontinyap and Balbina Bam, used in the jimi pir feast, decorated with animals that live in the water including a prawn, crab and fish
Event Date 10/1/2019
Author: rachel hand
Context (Field collection)
Part of a Crowther Beynon collection by Tom Powell Davies which investigates how Asmat people have recognised the word of God in the journeys of their ancestors, and how they have used ancestral forms of ritual and making to forge their own quintessentially Asmat form of Catholic liturgy
The specific contents of the collection were decided in conjunction with senior female ritual leaders, who wanted to give the MAA a complete set of the weavings used in their church. Powell Davies also requested they make an example of the traditional weaving used in ancestral feasts, as a point of reference so that viewers will be able to see both the weaving’s original ritual form as well as how it has been developed within the Asmat Catholic church. While there are a small number of Asmat weavings in existing museum collections, this is the first collection to be accompanied by any kind of research. It is also the first Asmat-focused museum project to be designed in collaboration with Asmat people.
All the weavings submitted to the MAA are commissioned copies of ‘sacred’ works that are not allowed to be sold or removed from the local church building for which they are made. As such they are completely unique outside of Asmat and exist in no other collection. Just as a feast cannot proceed unless the complete set of sacred tools required for it are present, it was important to the weavers that what they made for the museum was comprehensive, showing in full the sacred arts they have invented within their church. Their makers envisaged the collection as a single, impartible set.
Details taken from Powell Davies' Initial report and object list: Asmat weaving and the foundation of an indigenous Catholicism, based on the Crowther Beynon application, "Gereje, 'Enculturation' and the role of material culture in the foundation of an indigenous Asmat Catholicism"
Event Date 10/1/2019
Author: rachel hand
Context (Production / use)
One of four pír mats laid on the ground surrounding the altar in the church depicting an element of God's creation, which is held and raised towards the sky in praise during the weekly Sunday liturgy.
From Asmat sacred arts and the transformation of ancestral ritual: the pír and Christmas feasts. Crowther Beynon interim report, Tom Powell Davies, 21/01/2019
Event Date 7/2/2019
Author: rachel hand
FM:282505
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