Accession No

2020.16


Description

Woven pir or palm leaf mat by Raffaela Takane, used in the jimi pir feast, decorated with zig zag designs


Place

Oceania; Melanesia; New Guinea; West Papua


Period

21st century


Source

Powell Davies, Tom [collector]; Crowther-Beynon Grant [monetary donor]


Department

Anth


Reference Numbers

2020.16; MAA: MN0184.2


Cultural Affliation

Asmat


Material

Plant; pigment; lime; clay; grass


Local Term

pir


Measurements

940mm x 1460mm


Events

Description (Physical description)
Woven pir, a sago palm leaf mat by Raffaela Takane, used in the jimi pir feast, decorated with zig zag designs. Decorated with clay pigments and white lime from burnt shell clay and green grass tassels in the centre
Event Date 10/1/2019
Author: rachel hand


Context (Field collection)
Part of a Crowther Beynon collection by Tom Powell Davies which investigates how Asmat people have recognised the word of God in the journeys of their ancestors, and how they have used ancestral forms of ritual and making to forge their own quintessentially Asmat form of Catholic liturgy

The specific contents of the collection were decided in conjunction with senior female ritual leaders, who wanted to give the MAA a complete set of the weavings used in their church. Powell Davies also requested they make an example of the traditional weaving used in ancestral feasts, as a point of reference so that viewers will be able to see both the weaving’s original ritual form as well as how it has been developed within the Asmat Catholic church. While there are a small number of Asmat weavings in existing museum collections, this is the first collection to be accompanied by any kind of research. It is also the first Asmat-focused museum project to be designed in collaboration with Asmat people.

All the weavings submitted to the MAA are commissioned copies of ‘sacred’ works that are not allowed to be sold or removed from the local church building for which they are made. As such they are completely unique outside of Asmat and exist in no other collection. Just as a feast cannot proceed unless the complete set of sacred tools required for it are present, it was important to the weavers that what they made for the museum was comprehensive, showing in full the sacred arts they have invented within their church. Their makers envisaged the collection as a single, impartible set.


Details taken from Powell Davies' Initial report and object list: Asmat weaving and the foundation of an indigenous Catholicism, based on the Crowther Beynon application, "Gereje, 'Enculturation' and the role of material culture in the foundation of an indigenous Asmat Catholicism"
Event Date 10/1/2019
Author: rachel hand


Context (Production / use)
A pír mat that is a copy or prototype of the type used in the original jimi pír feast. It differs from pír mats made for sale both by its foundation in cycles of feasting and by the rattan leaves, which are not included on items made for sale, and index the number of heads that have been taken by the male leader who gives the oration at the peak of the feast. Within the feast it would be displayed rolled into a cylinder with the designs facing outwards, so they are partially revealed, and stored rolled up with the designs facing inwards so they are obscured.
From Asmat sacred arts and the transformation of ancestral ritual: the pír and Christmas feasts. Crowther Beynon interim report, Tom Powell Davies, 21/01/2019
Event Date 7/2/2019
Author: rachel hand


FM:282496

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