Context (Display)
Exhibited: On display in the Andrews Gallery as part of the Benin redisplay, March- 4 July 2017
Event Date 2017
Author: rachel hand

Loan (Loan In)
Andrews Gallery, 09/02/2017 to 09/02/2018, Benin Related Print
Event Date 9/2/2017
Author: Eleanor Wilkinson

Description (Physical description)
10 Etchings from the of the series, The History of the Benin Bronzes, 1984, and 5 oil paintngs on canvas from the series 'Encounters' by Tony Philips.
Event Date 14/3/2017
Author: Eleanor Wilkinson

Context (Other)
Etching titled 'The Lecture'. Lent as part of the series of 10 etchings from a 1984 twelve plate suite, 'The History of the Benin Bronzes', and 5 oil paintings on canvas from the series, 'Encounters' by the artist, Tony Philips. This etching edition is 10/10.
Event Date 17/3/2017
Author: Eleanor Wilkinson

Context (Amendments / updates)
Lent by the artist in February 2017 and purchased in November that year.
Event Date 3/8/2020
Author: rachel hand

Context (Amendments / updates)
In 1897 the British Admiralty led a punitive raid on Benin City under Admiral Sir Harry Rawson, in response to the ambush of an eariler British-led party under Acting Consul General James Philips. This followed a series of frustrated attempts to end a monopoly on palm oil and various other commodities held by the Oba (king) of Benin. Justification for this brutal event was sought, in the British press, by depicting the Oba and his people as ‘savages’ who practised human sacrifice. However, the elaborately carved ivories and cast brass plaques and sculptures seized from the royal court, and dispersed to among European museum collections via dealers such as William Webster and members of the expedition, were evidence of a sophisticated and technologically-advanced society.

This unsavoury aspect of British history was reflected on by Black British artist, Tony Phillips (b.1952) in a 1984 series of etchings, 'History of the Benin Bronzes'. In the series, Phillips adopts the unusual technique of reusing a printing plate to create a second image, with elements of the first image still visible. Thus, in this image, the ninth in the suite of twelve plates, we revisit the leopards first pictured flanking the Oba in scene two ('Divine Kingship', MN0130.3) to find them, as carved ivories, the subject of a museum curator’s lecture. The schematic way in which the museum environment is depicted emphasises the means by which the leopards have been forcibly removed from their original context. MAA holds only 10 etchings of the twelve suite series, scenes one and four are missing.

A version of the series 'History of the Benin Bronzes' (1984) is also held at the V&A. A series was also exhibited at Trade and Empire: Remembering Slavery', held at the Whitworth Art Gallery, June 2007 - April 2008.
Event Date 3/8/2020
Author: rachel hand

Description (Physical description)
Etching featuring the Oba, flanked by carved ivory leopards, as the subject of a museum curator’s lecture. This is the nineth in the suite of twelve plates, where Phillips reuses a printing plate to create a second image, with elements of the first image still visible.
Event Date 4/8/2020
Author: rachel hand