Context (Production / use)
Etching: aquatint and blind embossing printed from one plate and one embossing plate
Stencil drawn and cut on the plate by the artist and printed by APW Senior Printer Martin King and APW Printer Simon White at Australian Print Workshop, Melbourne, 2015
Event Date 2015
Author: rachel hand

Context (Acquisition Details)
Part of a suite of five original limited edition fine art prints (2016.38-2016.42) by Caroline Rothwell titled: ‘Museum (1-5)’. Processed and printed in an edition of 15 (plus proofs) by APW Printers at Australian Print Workshop, Melbourne.
Donated by the Australian Print Workshop, 210 Gertrude Street, Fitzroy, Victoria 3065, Australia.
Event Date 21/4/2016
Author: Remke Velden

Context (Analysis)
‘“Rothwell has developed a practice that is both sculptural and two-dimensional, often using unique self-devised fabrication methods to create strange hybrids… Rothwell creates a fictional world, a geographical non place, populated by strange hybrid plants, animals and people, imagined but logical consequence of real world actions.
Rothwell uses a scientific focus to meditate on the follies of humanity, so that, as a whole her work can be seen as a grand macro-analysis, a scrutiny of human activity and its effects. Despite the gravity of her interests, they are approached with humour, erudition, economy and stylistic diversty [sic].” A Loxley, 2012’.

Taken from: http://www.carolinerothwell.net/about [accessed 21/04/2016]
Event Date 21/4/2016
Author: Remke Velden

Description (CMS Description)
Aquatint and blind embossing stencil drawn and cut on the copper plate by Caroline Rothwell titled: ‘Museum 2’. Blind stamp 'APW' in the bottom right corner of the print. Annotated on the front [in pencil]: 'PP 1/2 Museum 2 CR’. Condition: Good.
Event Date 21/4/2016
Author: Remke Velden

Description (Physical description)
Print features items from the collections of the Cambridge University Museum of Zoology and Sedgwick Museum of Earth Sciences, including an animal skull
Event Date 15/12/2022
Author: rachel hand