Accession No

2015.239


Description

Ternkyerefa. Carved wooden bird on on integrated wooden base, possibly made by Osei Bonsu. Body of the bird is painted black, with red legs and beak. Neck and chest, and a band around the neck are pale in colour, with carved detailing on the wings and tail. Bird is facing backwards, possibly a representation of Sankofa.


Place

Africa; West Africa; Ghana; Western Ashanti; Wampai


Period


Source

Spooner, Arthur [collector]; Spooner, Sylvia and Spooner, Edward T. [donors per the Spooner Family]


Department

Anth


Reference Numbers

2015.239; 7 (Spooner Coll.)


Cultural Affliation


Material

Wood


Local Term

Ternkyerefa


Measurements

70mm x 185mm x 160mm


Events

Context (CMS Context)
See Spooner photo no. 4 in Collection file for object in Spooner family home.
Event Date 26/10/2015
Author: Remke van der Velden


Context (CMS Context)
The Spooner Collection was acquired by Arthur Casswell Spooner (1906-1996) during his colonial service in West Africa between 1929-1963, and also by his wife Sylvia from 1944. Following the Cambridge Colonial Service diploma (Clare College, 1928-9), he was posted to the Gold Coast in July 1929 as a Cadet in the Administrative Service. He was soon appointed Assistant District Commissioner and served in various areas of Ashanti and the Northern Territories until 1938. His tasks comprised office and court work as well as much travelling through the district.

In 1939 Spooner was seconded as Commissioner of the Labour Department in Kumasi, and in 1942 was appointed Assistant Director of Labour, General Headquarters West African Command, involved in raising Pioneer Groups in Sierra Leone and Nigeria primarily for the North African campaign. He was a member of the Gold Coast Defence Force and in 1942 appointed as a temporary Lieutenant Colonel. He married Sylvia Blest in Accra in 1944 and she accompanied him on all his postings. In 1945 he returned to the Administrative Service, and was appointed Senior District Commissioner, Ashanti, in 1946 and in 1951 Assistant Chief Commissioner of the Northern Territories of the Gold Coast He retired in 1952, returning to the UK to work for Eastbury Estates Ltd.

He returned to Africa in 1956, working for the Gambian Government in the Establishments and Training Department until 1959. From 1961 to 1963 he was employed by the Government of Northern Nigeria to run the Resident's offices in Makurdi and Ilorin.

Following discussion with MAA from 2005 onwards the object and photograph collections were donated in 2015 by Sylvia's son Professor Edward T. Spooner per the Spooner family, with material also going to the teaching collections.

Arthur Spooner's correspondence and papers, 1928-95, are held at the Bodleian Library, University of Oxford. Several items (including Konkomba dancing hats), copies of photographs and their associated copyright and a telegram relevant to the purchase of Sylvia Spooner's wedding ring were also given to the British Empire & Commonwealth Museum c.2008.
Event Date 21/9/2015
Author: Remke van der Velden


Context (CMS Context)
Notes by Arthur Spooner typed by his wife, Sylvia
read: 'Ternkyerefa carved in Wampai, Western Ashanti in 1930. Colouring by the carver. The heraldic design of the Adontin- the advance guard. Interpretation of Ternkyerefa means that the Adontin goes in front but looks backwards. Osei Bobsu’s interpretation [illegible added word]. This sign will be found surmounting the umbrellas of the Adontin clan or wing in the Ashanti organisation.' R. v.d. Velden, 08/09/2015.
Event Date 8/9/2015
Author: maa


Description (CMS Description)
Carved wooden bird, or Ternkyerefa, looking backwards. On integrated wooden base Coloured black with red legs and beak. Pale neck and chest. A rectangular white sticker and a rectangular white mark on the bottom of the base both with the number '7' written on it indicate the Spooner Collection number.
Event Date 8/9/2015
Author: maa


Description (Physical description)
Ternkyerefa. Carved wooden bird on on integrated wooden base, possibly made by Osei Bonsu. Body of the bird is painted black, with red legs and beak. Neck and chest, and a band around the neck are pale in colour, with carved detailing on the wings and tail. Bird is facing backwards, possibly a representation of Sankofa.
Event Date 7/9/2021
Author: Sam Daisley


FM:268634

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