Description (Inscription)
Unknown transcriber, possibly Aidan Dodson: 'Wsir s3-nsw R' -ms-s//////'.
Event Date
Author: Remke velden

Context (Field collection)
Probably from the Valley of the Kings, KV 19.
Event Date
Author: Remke velden

Description (Physical description)
Blue glaze, black details; Wsir s3-nsw R' -ms-s//////
Event Date 24/5/1991
Author: maa

Context (Field collection)
Collected by: Acworth Collection
Event Date 24/5/1991
Author: maa

Description (Physical description)
Shabti of Prince Ramesses-Montu-hir-Kepeshef. Blue glaze with black details.
Event Date 26/10/2018
Author: Remke velden

Context (Amendments / updates)
This shabti originally had no specific provenance beyond 'Egypt'. Based on parallels in other museums, Glenn Janes identified it as probably from the Valley of the Kings, KV 19, which has been added as a separate entry. The tomb was discovered by Belzoni in 1817. There are parallels in the following collections: Cairo, and Kazan (5404(28)). Further examples have been offered for sale on the art market – one complete Ede 2007, [no. 16]. Another is known in a Dutch private collection.
Event Date 3/2018
Author: Remke velden

Context (Analysis)
Glenn Janes, author of The Shabti Collections, examined this shabti in March 2018 as part of a survey of MAA's entire shabti collection, which continued in May 2018. Janes generated a spreadsheet detailing his analysis of the collection, see Doc.417.
Event Date 3/2018
Author: Remke velden

Description (Physical description)
Glenn Janes (2018): 'Although mostly illegible on this shabti the name is the King's Son, Ramesses-Montu-hir-Kepeshef.'
Event Date 3/2018
Author: Remke velden

Context (Amendments / updates)
This shabti originally had no specific provenance beyond 'Egypt'. Based on parallels in other museums, Glenn Janes identified it as possibly from Valley of teh Kings, which has been added to the Place field.
Event Date 3/2018
Author: Remke velden

Context (Other)
Glenn Janes (2018): 'Ramesses-Montu-hir-Kepeshef was a son of Ramesses IX.'
Event Date 3/2018
Author: Remke velden